{"title":"My Life's Dark Hours — Rilke","description":null,"products":[{"product_id":"my-lifes-dark-hours-rilke-organic-edition-t-shirt","title":"My Life’s Dark Hours — Rilke Organic Edition T-Shirt","description":"\u003cp\u003eSpace is what poem 6 of \u003cem\u003eDas Stunden-Buch\u003c\/em\u003e is after. The dark hours open room the daylit ones don’t, and the speaker fills that room with what he calls a second life — wide, and outside of time.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e“I love my life’s dark hours\u003cbr\u003e\nin which my senses quicken and grow deep,”\u003c\/strong\u003e\u003cbr\u003e\nRainer Maria Rilke, \u003cem\u003eThe Book of Hours\u003c\/em\u003e (1905), Book I, poem 6\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e— Jessie Lemont translation, 1918. Public domain.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eContext\u003c\/h3\u003e\n\u003cp\u003eThe second life the poem describes runs on the same day as the first. It arrives at an hour when nothing is being asked of you, and the ordinary business of the day has receded far enough that you can finally see the shape of it.\u003c\/p\u003e\n\n\u003cp\u003eRoom is the whole claim. Most hours turn up already spoken for — by work, by other people, by the next thing on the list. These don’t, and an hour nobody has spent for you is the only place a second life fits.\u003c\/p\u003e\n\n\u003ch3\u003eWho It’s For\u003c\/h3\u003e\n\u003cp\u003eYou’re the one who protects an hour before anyone else has a claim on it.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eIf you’ve ever moved three other things to keep one stretch of the day clear\u003c\/li\u003e\n\u003cli\u003eIf you’ve ever chosen the version that cost more because you knew how it was made\u003c\/li\u003e\n\u003cli\u003eIf you’ve ever found that the hour you guarded was the only one that changed anything\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003eMake the room.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003ch3\u003eThe Design\u003c\/h3\u003e\n\u003cp\u003eThe mark reads two ways at once. It’s an ensō — the Zen circle drawn in a single breath and left open on purpose — and it’s a moon, weighted along one edge and thinning to nothing along the other. Both readings are meant to be there.\u003c\/p\u003e\n\n\u003cp\u003eIt crosses the words instead of sitting behind them, and pewter is what makes that possible: bright enough to hold against the cloth, soft enough that the cream letters passing through it still read. Nothing fills the circle — what’s inside it is the shirt. On French Navy that gives you a warmer dark than black does, and the moon sits closer to the ground it’s printed on.\u003c\/p\u003e\n\n\u003ch3\u003eAbout This Tee\u003c\/h3\u003e\n\u003cp\u003eThis is the organic edition, and it costs more than the standard tee. GOTS certification is what you’re paying for: an audited chain from the cotton crop through spinning, dyeing and the factory itself — not a claim about the fiber alone.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003e100% GOTS-certified organic ring-spun cotton\u003c\/li\u003e\n\u003cli\u003eFabric weight: 180 g\/m²\u003c\/li\u003e\n\u003cli\u003eUnisex fit, true to size — closer to the body than a relaxed cut\u003c\/li\u003e\n\u003cli\u003eSide-seamed construction\u003c\/li\u003e\n\u003cli\u003eFront chest print, on French Navy or Black\u003c\/li\u003e\n\u003cli\u003eMachine wash cold, inside out; tumble dry low\u003c\/li\u003e\n\u003cli\u003eQuoteiac logo on the left sleeve\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSize Chart (Stanley\/Stella)\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive\"\u003e\n\u003ctable cellpadding=\"5\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eSize\u003c\/th\u003e\n\u003cth\u003eChest width (in)\u003c\/th\u003e\n\u003cth\u003eLength (in)\u003c\/th\u003e\n\u003cth\u003eSleeve length (in)\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eXS\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16½\u003c\/td\u003e\n\u003ctd\u003e25½\u003c\/td\u003e\n\u003ctd\u003e7½\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eS\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e18\u003c\/td\u003e\n\u003ctd\u003e27\u003c\/td\u003e\n\u003ctd\u003e7.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eM\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e19½\u003c\/td\u003e\n\u003ctd\u003e28\u003c\/td\u003e\n\u003ctd\u003e8.3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e21\u003c\/td\u003e\n\u003ctd\u003e29\u003c\/td\u003e\n\u003ctd\u003e8.7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eXL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e22½\u003c\/td\u003e\n\u003ctd\u003e30\u003c\/td\u003e\n\u003ctd\u003e9.1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003e2XL\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24\u003c\/td\u003e\n\u003ctd\u003e31\u003c\/td\u003e\n\u003ctd\u003e9.4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\n\u003cp\u003e\u003cem\u003eEU sizing. Refer to the chart — fit varies by body type.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eRainer Maria Rilke, in Plain English\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLived 1875–1926 — born in Prague, wrote in German, worked across Germany, France, Italy and Switzerland\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eDas Stunden-Buch\u003c\/em\u003e was written in three short bursts — 1899, 1901 and 1903 — and published in Leipzig by Insel Verlag in 1905\u003c\/li\u003e\n\u003cli\u003eWorked in Paris as Auguste Rodin’s secretary in 1905–06; watching a sculptor work changed how he wrote about looking at things\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLetters to a Young Poet\u003c\/em\u003e — written between 1903 and 1908 to a young military cadet — was published in 1929 and is still widely read\u003c\/li\u003e\n\u003cli\u003eRobert Bly’s later English version opens this line “I love the dark hours of my being.” The wording printed here is Jessie Lemont’s, from 1918 — the version in the public domain\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eMore from this collection\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/dark-hours-rilke-tee\"\u003eMy Life’s Dark Hours — Rilke T-Shirt\u003c\/a\u003e — the same line on standard cotton\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/dark-hours-rilke-journal\"\u003eMy Life’s Dark Hours — Rilke Journal\u003c\/a\u003e — the line held open with an ellipsis, for writing into the hour rather than wearing it\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/dark-hours-rilke-phone-case\"\u003eMy Life’s Dark Hours — Rilke Phone Case\u003c\/a\u003e — the same ensō, carried\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/life-in-circles-rilke-organic-edition-t-shirt\"\u003eLife in Circles — Rilke Organic Edition T-Shirt\u003c\/a\u003e — the organic edition of the line four poems earlier\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/life-in-circles-rilke-book-of-hours-t-shirt\"\u003eLife in Circles — Rilke Book of Hours T-Shirt\u003c\/a\u003e — the same cycle, standard cotton\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/rilke-life-in-circles-phone-case\"\u003eRilke Life in Circles Phone Case\u003c\/a\u003e — the same line, carried\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/life-in-circles-rilke-quote-tumbler\"\u003eLife in Circles — Rilke Quote Tumbler\u003c\/a\u003e — the design wrapped, not flat\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/pages\/rilke-circles\"\u003eExplore “I live my life in circles” →\u003c\/a\u003e — the quote page for the line four poems earlier\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/collections\/rilke\"\u003eThe full Rilke collection\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Quoteiac","offers":[{"title":"French Navy \/ S","offer_id":43137033371742,"sku":"5019981_21332","price":37.0,"currency_code":"USD","in_stock":true},{"title":"French Navy \/ M","offer_id":43137033404510,"sku":"5019981_21333","price":37.0,"currency_code":"USD","in_stock":true},{"title":"French Navy \/ L","offer_id":43137033437278,"sku":"5019981_21334","price":37.0,"currency_code":"USD","in_stock":true},{"title":"French Navy \/ XL","offer_id":43137033470046,"sku":"5019981_21335","price":37.0,"currency_code":"USD","in_stock":true},{"title":"French Navy \/ 2XL","offer_id":43137033502814,"sku":"5019981_21336","price":39.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ S","offer_id":43137033535582,"sku":"5019981_21322","price":37.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ M","offer_id":43137033568350,"sku":"5019981_21323","price":37.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ L","offer_id":43137033601118,"sku":"5019981_21324","price":37.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ XL","offer_id":43137033633886,"sku":"5019981_21325","price":37.0,"currency_code":"USD","in_stock":true},{"title":"Black \/ 2XL","offer_id":43137033666654,"sku":"5019981_21326","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/8664\/4318\/files\/My-Lifes-Dark-Hours-Rilke-Organic-Tee-french-navy.png?v=1786176827"},{"product_id":"my-lifes-dark-hours-rilke-journal","title":"My Life’s Dark Hours — Rilke Journal","description":"\u003cp\u003eBook I of \u003cem\u003eDas Stunden-Buch\u003c\/em\u003e was not written in one sitting, or one year. Rilke came back to the work in three separate bursts — 1899, 1901, 1903 — before Insel published it in Leipzig in 1905. The book you’re looking at is built on the same permission.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e“I love my life’s dark hours…”\u003c\/strong\u003e\u003cbr\u003e\nRainer Maria Rilke, \u003cem\u003eThe Book of Hours\u003c\/em\u003e (1905), Book I, poem 6\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e— Jessie Lemont translation, 1918. Public domain.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003ch3\u003eContext\u003c\/h3\u003e\n\u003cp\u003eThe cover stops mid-thought and stays there. That’s the argument of the object: a sentence left open on the outside, and eighty blank pages behind it.\u003c\/p\u003e\n\n\u003cp\u003eYou are not expected to finish it tonight, or well, or in order. The poem it comes from took four years and three attempts, and it was published anyway.\u003c\/p\u003e\n\n\u003ch3\u003eWho It’s For\u003c\/h3\u003e\n\u003cp\u003eYou’re the one who writes when it’s hard, not only when it’s going well.\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eIf you’ve ever written the real version of something at an hour you’d never admit to\u003c\/li\u003e\n\u003cli\u003eIf you’ve ever started a notebook, abandoned it for a year, and come back to the same page\u003c\/li\u003e\n\u003cli\u003eIf you’ve ever needed the page more than you needed anyone to read it\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003eFinish the sentence.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003ch3\u003eThe Design\u003c\/h3\u003e\n\u003cp\u003eThe circle is drawn bigger than the line can fit inside it. \u003cem\u003eI love my\u003c\/em\u003e begins outside it on the left, \u003cem\u003elife’s dark\u003c\/em\u003e runs out past it on the right, and the sentence goes straight through the middle rather than sitting politely within. Whatever this is meant to hold, it isn’t holding it.\u003c\/p\u003e\n\n\u003cp\u003eThe mark is an ensō — the Zen circle made in a single breath and deliberately left open at the top — carried in pewter, the one value that crosses cream letters without swallowing them. The line stops early, and the three dots of the ellipsis come down on the ring itself. The cream of the type is the cream of the paper inside.\u003c\/p\u003e\n\n\u003ch3\u003eAbout This Journal\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHardcover bound journal\u003c\/li\u003e\n\u003cli\u003e80 lined pages, cream stock\u003c\/li\u003e\n\u003cli\u003e5.5″ × 8.5″\u003c\/li\u003e\n\u003cli\u003eBuilt-in elastic closure\u003c\/li\u003e\n\u003cli\u003eRibbon page marker\u003c\/li\u003e\n\u003cli\u003eExpandable inner pocket\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eRainer Maria Rilke, in Plain English\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLived 1875–1926 — born in Prague, wrote in German, worked across Germany, France, Italy and Switzerland\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eDas Stunden-Buch\u003c\/em\u003e was written in three short bursts — 1899, 1901 and 1903 — and published in Leipzig by Insel Verlag in 1905\u003c\/li\u003e\n\u003cli\u003eBook I is written in the borrowed voice of a monk, as a sequence of prayers rather than poems with titles\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLetters to a Young Poet\u003c\/em\u003e — ten letters written between 1903 and 1908 to a young military cadet — was published in 1929 and is still widely read\u003c\/li\u003e\n\u003cli\u003eRobert Bly’s later English version opens this line “I love the dark hours of my being.” The wording printed here is Jessie Lemont’s, from 1918 — the version in the public domain\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eMore from this collection\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/my-lifes-dark-hours-rilke-phone-case\"\u003eMy Life’s Dark Hours — Rilke Phone Case\u003c\/a\u003e — the same abbreviated line, carried\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/my-lifes-dark-hours-rilke-organic-edition-t-shirt\"\u003eMy Life’s Dark Hours — Rilke Organic Edition T-Shirt\u003c\/a\u003e — the full couplet, on organic cotton\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/dark-hours-rilke-tee\"\u003eMy Life’s Dark Hours — Rilke T-Shirt\u003c\/a\u003e — the full couplet, standard cotton\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/pages\/rilke-circles\"\u003eExplore “I live my life in circles” →\u003c\/a\u003e — the quote page for the line four poems earlier\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/collections\/rilke\"\u003eThe full Rilke collection\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Quoteiac","offers":[{"title":"Default Title","offer_id":43137055490142,"sku":"5773245_16952","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0554\/8664\/4318\/files\/My-Lifes-Dark-Hours-Rilke-Journal-view-01.png?v=1786222026"},{"product_id":"my-lifes-dark-hours-rilke-phone-case","title":"My Life’s Dark Hours — Rilke Phone Case","description":"\u003cp\u003ePoem 6 of \u003cem\u003eDas Stunden-Buch\u003c\/em\u003e describes the ordinary day, seen from a late hour, as something already finished and far off — the way an old letter reads. The phone in your hand is where most of us do that now.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“I love my life’s dark hours…”\u003c\/strong\u003e\u003cbr\u003eRainer Maria Rilke, \u003cem\u003eThe Book of Hours\u003c\/em\u003e (1905), Book I, poem 6\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e— Jessie Lemont translation, 1918. Public domain.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eContext\u003c\/h3\u003e\n\u003cp\u003eScrolling back through a day at midnight is the modern version of the poem’s move. The events are only hours old and they already belong to someone else.\u003c\/p\u003e\n\u003cp\u003eWhat the poem does with that distance is refuse to treat it as a loss. Seen from far enough back, a day stops being a list of things that went well or badly and turns into something you can actually read.\u003c\/p\u003e\n\u003ch3\u003eWho It’s For\u003c\/h3\u003e\n\u003cp\u003eYou’re the one still awake, holding the only lit thing in the room, going back over the day at your own pace.\u003c\/p\u003e\n\u003cp\u003eYou read poets rather than motivational accounts, and you’d rather carry a sentence that means something than a pattern that matches your bag.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTake it with you.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eThe Design\u003c\/h3\u003e\n\u003cp\u003eThe line stops early. Printed here it is only the opening — \u003cem\u003eI love my life’s dark hours…\u003c\/em\u003e — and the ellipsis is doing real work: at this size, the half you can read is the half you remember, and the rest arrives on its own.\u003c\/p\u003e\n\u003cp\u003eBehind and through the words is the mark the whole Dark Hours set shares: an ensō, the Zen circle drawn in one breath and left open on purpose, which also reads as a moon — weighted along one edge, thinning to nothing along the other. Pewter is the only value that lets it cross the cream letters without swallowing them. The black covers the entire shell, sides included; the mark itself stays centred on the back, clear of the curve.\u003c\/p\u003e\n\u003ch3\u003eAbout This Case\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDual-layer construction — flexible inner liner inside a hard polycarbonate shell\u003c\/li\u003e\n\u003cli\u003eRaised edges around the screen and camera\u003c\/li\u003e\n\u003cli\u003eWireless charging compatible with most Qi-enabled devices\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eKeep away from prolonged direct sunlight and high-alcohol liquids to preserve the design.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eRainer Maria Rilke, in Plain English\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eLived 1875–1926 — born in Prague, wrote in German, and spent his working life between Germany, France, Italy and Switzerland\u003c\/li\u003e\n\u003cli\u003eWorked in Paris as Auguste Rodin’s secretary in 1905–06; watching a sculptor work changed how he wrote about looking at things\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eDas Stunden-Buch\u003c\/em\u003e was written in three short bursts — 1899, 1901 and 1903 — and published in Leipzig by Insel Verlag in 1905\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLetters to a Young Poet\u003c\/em\u003e — ten letters written between 1903 and 1908 to a young military cadet who had sent him poems and asked if they were any good — was published in 1929 and is still widely read\u003c\/li\u003e\n\u003cli\u003eRobert Bly’s later English version opens this line “I love the dark hours of my being.” The wording printed here is Jessie Lemont’s, from 1918 — the version in the public domain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMore from this collection\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/dark-hours-rilke-journal\"\u003eMy Life’s Dark Hours — Rilke Journal\u003c\/a\u003e — the same abbreviated line, for finishing in your own handwriting\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/my-lifes-dark-hours-rilke-organic-edition-t-shirt\"\u003eMy Life’s Dark Hours — Rilke Organic Edition T-Shirt\u003c\/a\u003e — the full couplet, on organic cotton\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/dark-hours-rilke-tee\"\u003eMy Life’s Dark Hours — Rilke T-Shirt\u003c\/a\u003e — the full couplet, standard cotton\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/products\/rilke-life-in-circles-phone-case\"\u003eRilke Life in Circles Phone Case\u003c\/a\u003e — the line four poems earlier, same format\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/pages\/rilke-circles\"\u003eExplore “I live my life in circles” →\u003c\/a\u003e — the quote page for that line\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/collections\/rilke\"\u003eThe full Rilke collection\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Quoteiac","offers":[{"title":"iPhone 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